As
fa
r b
ac
k a
s
ant
iq
uit
y
,
the
cu
lt
ure
s
of
th
e Nea
r E
as
t u
se
d g
la
ze
d t
ile
s t
o d
ec
or
ate
th
ei
r
bu
ild
in
gs
an
d
mo
nu
me
nt
s.
Ne
ve
rth
ele
ss
, i
t was
no
t
un
til
th
e 1
9t
h c
en
tu
ry
whe
n t
he
ap
pl
ica
tio
n
of
ind
us
tr
ial
tec
hn
iq
ue
s i
n c
er
amic
til
e man
uf
ac
tur
e
an
d t
he
ap
pe
ar
an
ce
of
ne
w
art
ist
ic
mo
ve
me
nt
s s
uc
h
as
Mod
er
nis
m tu
rn
ed
c
era
mi
c
tile
s
in
to
th
e
qu
int
es
sen
ti
al
de
co
rat
ive
el
emen
t,
wi
de
ly
use
d
in
bo
th
in
ter
ior
s
an
d e
xt
eri
ors
.
Ce
ramic
ti
les
, wit
h t
he
ir
tec
hn
ica
l a
nd
a
est
he
tic
ch
ara
ct
eri
sti
cs,
g
rew to
b
e a
c
ommon
si
din
g
ma
ter
ia
l
for
fa
ca
de
s.
Fo
r t
his
re
as
on
, t
he
co
lou
r
sch
eme
s,
tex
tur
es
an
d mo
du
lar
ity
of
ce
ra
mi
c t
ile
de
si
gn
s b
ec
ame
ch
ara
ct
eri
sti
c o
f a
n
en
tire
e
ra.
Ho
weve
r
, t
he
de
ve
lop
men
t
of
ar
chi
tec
tu
re
ren
d
ere
d wit
h c
on
cr
ete
, t
he
ad
ve
nt
of
Po
rtl
an
d c
emen
t-
ba
sed
b
on
di
ng
mate
ria
ls,
the
in
st
all
ati
on
o
n r
igi
d s
ur
fac
es
an
d
th
e l
ack
o
f
inf
or
ma
tio
n
ab
ou
t th
e
ce
ramic
ti
les
be
st
su
ite
d
for
th
is
pu
rp
os
e, g
av
e
ris
e t
o a
g
rea
t ma
ny
bu
ild
in
g fl
aws
tha
t
dis
su
ad
ed
th
e
use
o
f c
era
mic
tile
s
on
fa
cad
es
.
Th
e P
ORCEL
ANOS
A
Gr
ou
p’
s e
xp
er
ien
ce
in
ce
ra
mi
c t
ile
ma
nu
fa
ctu
rin
g
an
d b
ut
ec
h’
s
s
ea
rch
fo
r n
ew b
ui
ldi
ng
tec
hn
iq
ue
s h
as
le
d t
o
the
d
eve
lo
pmen
t o
f t
he
FV
a
nd
F
P
Sy
ste
ms f
or
fac
ad
es
.
5
